Yeah, so this twitter experiment I was doing with this blog hasn't exactly been going much of anywhere. Was it me? Was it this blog? Or was it the fact that twitter seems to be going the way of Quadrophonic sound and almost half the people who use it have never made a tweet?
I know one thing: you kids love your facebook. I, however, see it as a necessary but oddly useful evil for keeping up with people I don't get to see enough of in person. If you feel the same way, at least about this blog, join the madness at facebook.com/33Revelations. What's in it for you? Well, since you're so attached to facebook already, you can find out when I post new things here while you're there. You can also find out what I'm spinning...when I remember to post that sort of thing. And you'll get special bonus material you won't get on the blog! In short, I'll probably be updating facebook more often than the blog, but don't let that scare you off. In fact, use the facebook page as a supplement to the blog itself to get the maximum experience! Think of it as a freemium app - the facebook part is the free teaser, but all the juicy stuff that makes it great is here on the blog.
Like and share! And be on the lookout for some WFMU Record Fair finds soon.
Friday, June 13, 2014
Saturday, May 31, 2014
All's Fair
Hey, did I see you at the fair? If it was the WFMU Record Fair, you probably did. I spent too much money, took not enough pictures, and drank no Chelada whatsoever (because they had the decency not to serve it this year)...but I had a great time and caught up with (and bought a few records from) a couple folks I haven't seen in a while.
I'll say one thing about the money, though: a lot of it was for a good cause. More than one, actually. First, of course, is WFMU. They're the coolest listener-supported freeform radio station in town, don'cha know, and they had loads of $1 LPs, several classes of CDs, and their own compilations (including one of guest appearances from a show a friend of mine hosts)...not to mention tons of swag and a prize wheel you could spin for a buck. All proceeds go right to the station.
The other good cause is this li'l ol' blog right here. I got plenty of blogger fodder for you to marvel at, and little by little you'll see some of it. You might even hear some. So even if you can't go today, you can get a taste for what's there.
The 69th Regiment Armory at 26th/Lexington is the new place for the fair. Right across from it on Lexington Ave. is what must be one of the smallest Popeyes in existence. They could've gotten away with calling it Olive Oyl's. It doesn't even have a bathroom, it's so small. Yet somehow despite that little oversight, it gets an A from the health department. Try the chicken & waffle tenders. But bring your own Purell.
You know what else I got?
Shirt love.
Two people asked to take a picture of my shirt. If you were there and missed your chance, I'll save you the trouble of asking. Pardon the mug - I didn't feel like cropping my head off...and selfies are hard. Besides, I needed a new facebook profile pic, and this was a quick-n-dirty way to get one.
If you want the shirt...make your record store print its own. They could use the publicity. Or see if CafePress has one like it.
Next best thing, of course, is to pick from the variety of shirts WFMU offers. Like I said, there's still time. And there's still a lot of music to discover in the coolest way possible.
www.wfmu.org/recfair
Monday, May 26, 2014
Fair Warning
Attention, east-coast record hunters: your favorite freeform radio station, WFMU, is having its world-famous (what? Well, it SHOULD be, dammit!) record fair this weekend.
One big thing to note is that it's moved from the Metropolitan Pavilion to the 69th Regiment Armory at 26th/Lexington in Manhattan.
If you haven't been there before, change some plans around so you can make it. It's huge. I'm talking literally millions of records from literally every genre, tens of thousands of CDs, and a whole lot of fun. WFMU DJs will be doing their shows live there, and others will be DJing just for you lucky showgoers. There might even be other things going on, too.
$7 a day Friday, Saturday and Sunday; or if you're a die-hard, $25 for the entire weekend with early pre-fair admission on Friday afternoon and unlimited admission all weekend.
Get the full scoop direct from the source. Maybe I'll see you there!
One big thing to note is that it's moved from the Metropolitan Pavilion to the 69th Regiment Armory at 26th/Lexington in Manhattan.
If you haven't been there before, change some plans around so you can make it. It's huge. I'm talking literally millions of records from literally every genre, tens of thousands of CDs, and a whole lot of fun. WFMU DJs will be doing their shows live there, and others will be DJing just for you lucky showgoers. There might even be other things going on, too.
$7 a day Friday, Saturday and Sunday; or if you're a die-hard, $25 for the entire weekend with early pre-fair admission on Friday afternoon and unlimited admission all weekend.
Get the full scoop direct from the source. Maybe I'll see you there!
Sunday, May 4, 2014
All The World's A Fair
I apologize. I was away this week and preparations for the trip kept me from being as timely as I'd have liked with this post. But as it turns out, being away had a benefit. You'll see why soon.
The World's Fair. A showcase of the best that the present and the future had to offer. The Eiffel Tower was unveiled at the 1889 fair in Paris. The 1898 fair in Chicago introduced us to the Ferris wheel. 1939's fair in New York gave us television. The Space Needle stands as a lasting reminder of the 1962 World's Fair in Seattle.
And then there was the 1964/65 World's Fair. Flushing Meadows Park in Queens, NY played host, just as it did for the fair 25 years earlier. Only this time...it wasn't a real world's fair.
Robert Moses, New York's City's Master Builder, helmed the corporation in charge of the fair. He realized that the 1939 World's Fair lost serious money and he hoped to remedy that for 1964. In doing so, he charged the exhibitors rent - a huge no-no per the sanctioning body of the fair, the Bureau of International Expositions. Moses also made the decision to run the fair for two six-month seasons instead of just one, based on calculations that 70 million visitors would be required for the fair to be profitable. Strike two. Not to mention, the BIE had a rule that there could only be one universal exhibition in a 10-year period. With Montreal's Expo 67 already set to open, the New York World's Fair was not it. The BIE refused to recognize this fair and formally requested nations not to attend. The UK, Canada and Australia were among many who took the BIE's advice and sat out. Despite it all, Moses plowed ahead and opened the fair on April 21, 1964.
The visitors, all 51 million of them, got a tantalizing taste of tomorrow. AT&T (aka The Bell System) showed their Videophone. GE exhibited the Carousel Of Progress, a rotating display of America's technological progress imagineered by Disney. Speaking of Disney, they also did the work on Ford's Wonder Rotunda and Magic Skyway, which by all accounts was at least as good as GM's competing Futurama exhibit. And US Steel showed off the symbol of the fair, the Unishphere: the 120-foot, 700,000-pound marvel of engineering made entirely of stainless steel.
No doubt there were pleny of souvenirs. Among them: this album. The 1964/65 World's Fair may not have been official, but it did have an official album. Supposedly. For such a forward-looking fair, this album sure sounds old-timey. It really doesn't have a lot to do with the fair, either. The Little Old New Yorkers, with backing help from The Phil Romano Orchestra, look back to the past with staples like Give My Regards To Broadway, Lullaby Of Broadway and Chinatown My Chinatown. But there are these two originals, done "in the marching band style of the twenties combined with the modern."
Here's the title track, Take Me To New York, Take Me To The Fair:
And the closer, Queen Of The New York World's Fair:
Wild Bill Davison plays cornet...and record label owner. The album's on his Davison Records label. Al Davis, Jr. narrates...and as you'll hear on the first track, not all that well.
A better known (and probably much more official) World's Fair album is this one, which I discovered a sealed copy of while I was away:
Ferde Grofe was commissioned by Robert Moses to compose an official symphony. As Grofe said in the liner notes, It was a challenge: "Here was steel and concrete, nation after nation, a whole constellation of industries, entertainment as well as education - patterns upon patterns. Where to start?...the challenge appeared to be a big one!"
As with the fair itself, the World's Fair Suite is divided into five parts: Unisphere; International, with the Western nations represented by major chords and Eastern nations by minor chords; Fun At The Fair, a lighthearted musical frolic; Pavilions Of Industry, an ode to "both the productivity and promise of a better man-made world;" and National, which reprises the fanfare of Unisphere and its echo of the Fair's message of Peace Through Understanding.
The Suite made its debut at the opening of the Fair with Paul Lavalle as conductor. He's conductor on this album as well. Here's the first movement, Unishpere:
LINKS FOR FURTHER LEARNING:
The 1964/65 New York World's Fair Site
The World's Fair. A showcase of the best that the present and the future had to offer. The Eiffel Tower was unveiled at the 1889 fair in Paris. The 1898 fair in Chicago introduced us to the Ferris wheel. 1939's fair in New York gave us television. The Space Needle stands as a lasting reminder of the 1962 World's Fair in Seattle.
And then there was the 1964/65 World's Fair. Flushing Meadows Park in Queens, NY played host, just as it did for the fair 25 years earlier. Only this time...it wasn't a real world's fair.
Robert Moses, New York's City's Master Builder, helmed the corporation in charge of the fair. He realized that the 1939 World's Fair lost serious money and he hoped to remedy that for 1964. In doing so, he charged the exhibitors rent - a huge no-no per the sanctioning body of the fair, the Bureau of International Expositions. Moses also made the decision to run the fair for two six-month seasons instead of just one, based on calculations that 70 million visitors would be required for the fair to be profitable. Strike two. Not to mention, the BIE had a rule that there could only be one universal exhibition in a 10-year period. With Montreal's Expo 67 already set to open, the New York World's Fair was not it. The BIE refused to recognize this fair and formally requested nations not to attend. The UK, Canada and Australia were among many who took the BIE's advice and sat out. Despite it all, Moses plowed ahead and opened the fair on April 21, 1964.
The visitors, all 51 million of them, got a tantalizing taste of tomorrow. AT&T (aka The Bell System) showed their Videophone. GE exhibited the Carousel Of Progress, a rotating display of America's technological progress imagineered by Disney. Speaking of Disney, they also did the work on Ford's Wonder Rotunda and Magic Skyway, which by all accounts was at least as good as GM's competing Futurama exhibit. And US Steel showed off the symbol of the fair, the Unishphere: the 120-foot, 700,000-pound marvel of engineering made entirely of stainless steel.
No doubt there were pleny of souvenirs. Among them: this album. The 1964/65 World's Fair may not have been official, but it did have an official album. Supposedly. For such a forward-looking fair, this album sure sounds old-timey. It really doesn't have a lot to do with the fair, either. The Little Old New Yorkers, with backing help from The Phil Romano Orchestra, look back to the past with staples like Give My Regards To Broadway, Lullaby Of Broadway and Chinatown My Chinatown. But there are these two originals, done "in the marching band style of the twenties combined with the modern."
Here's the title track, Take Me To New York, Take Me To The Fair:
And the closer, Queen Of The New York World's Fair:
Wild Bill Davison plays cornet...and record label owner. The album's on his Davison Records label. Al Davis, Jr. narrates...and as you'll hear on the first track, not all that well.
A better known (and probably much more official) World's Fair album is this one, which I discovered a sealed copy of while I was away:
Ferde Grofe was commissioned by Robert Moses to compose an official symphony. As Grofe said in the liner notes, It was a challenge: "Here was steel and concrete, nation after nation, a whole constellation of industries, entertainment as well as education - patterns upon patterns. Where to start?...the challenge appeared to be a big one!"
As with the fair itself, the World's Fair Suite is divided into five parts: Unisphere; International, with the Western nations represented by major chords and Eastern nations by minor chords; Fun At The Fair, a lighthearted musical frolic; Pavilions Of Industry, an ode to "both the productivity and promise of a better man-made world;" and National, which reprises the fanfare of Unisphere and its echo of the Fair's message of Peace Through Understanding.
The Suite made its debut at the opening of the Fair with Paul Lavalle as conductor. He's conductor on this album as well. Here's the first movement, Unishpere:
LINKS FOR FURTHER LEARNING:
The 1964/65 New York World's Fair Site
Sunday, April 20, 2014
Record Store Day: The Flip Side
Easter was not the only holiday to celebrate this weekend. For may of us, there was another: Record Store Day. Depennding on what type of record collector you are, you probably saw this holiday one of two ways:
1. A glorious festival, where new music abounded in the form of limited-edition pressings of great bands. You and your friends got together and perhaps even made new friends, and y'allz had a fabulous time helping keep your mom 'n' pop music shop in business just a little longer. You might have even camped out in front of that store for a place in line when they opened, like this guy and his brother did.
2. Main Street's equivalent of Black Friday. Maddening throngs lining up just after midnight oustide of stores that could probably fit inside your apartment, fighting over music you'd either only own for its collector's value or its value on eBay. IF the store didn't out of what you wanted 10 minuted after they opened. You could do without it. You're not the only one who feels that way.
As for me, I see the whole thing with a detached indifference. I applaud the record stores for joining together and having one special day a year to remind us they're still around and have great things to offer. As I said in my last post, a record store done right is a beautiful thing. Problem is, ever since my record store closed down, I haven't been able to recapture that beauty at other stores.
Also, I'm not all that into new music. Sure, I listen to it, and I enjoy it, but I confess: those few times I buy current music, it's on CD. Vinyl is for the older stuff.
And speaking of older stuff, there's no shortage of it at thrift stores. As an inveterate thrifter, you better know I've seen my share of Your Grandparents' Grooves. A&M might as well stand for Andy Williams & Mantovani. But if you dig past all that, you'll find untold treasure. I've found (and bought) rare soul 45s that sell for over $200. Test pressings from record companies. Albums "sung" by celebrities. Radio shows and commercials. Muzak albums (from when Muzak was synonymous with elevator music). TV and movie soundtracks galore. All for a dollar or less. And just about all of them in very good condition or better. I bet if I got them all at record stores, I couldn't pay less than $10 for any one of those types of records. And if I happened to be looking for them, I'd likely have to wait a good long time before my record store was able to find them.
Don't get me wrong: record stores provide a great service to those who need them. My collecting style dictates that while a record store is nice for me to have, I don't exactly need one.
So if you were out yesterday, enjoy that copy of whatever RSD special I saved for you.
INPUT:
Did you celebrate RSD14? Did you sit it out? Which side of the fence are you on?
1. A glorious festival, where new music abounded in the form of limited-edition pressings of great bands. You and your friends got together and perhaps even made new friends, and y'allz had a fabulous time helping keep your mom 'n' pop music shop in business just a little longer. You might have even camped out in front of that store for a place in line when they opened, like this guy and his brother did.
2. Main Street's equivalent of Black Friday. Maddening throngs lining up just after midnight oustide of stores that could probably fit inside your apartment, fighting over music you'd either only own for its collector's value or its value on eBay. IF the store didn't out of what you wanted 10 minuted after they opened. You could do without it. You're not the only one who feels that way.
As for me, I see the whole thing with a detached indifference. I applaud the record stores for joining together and having one special day a year to remind us they're still around and have great things to offer. As I said in my last post, a record store done right is a beautiful thing. Problem is, ever since my record store closed down, I haven't been able to recapture that beauty at other stores.
Also, I'm not all that into new music. Sure, I listen to it, and I enjoy it, but I confess: those few times I buy current music, it's on CD. Vinyl is for the older stuff.
And speaking of older stuff, there's no shortage of it at thrift stores. As an inveterate thrifter, you better know I've seen my share of Your Grandparents' Grooves. A&M might as well stand for Andy Williams & Mantovani. But if you dig past all that, you'll find untold treasure. I've found (and bought) rare soul 45s that sell for over $200. Test pressings from record companies. Albums "sung" by celebrities. Radio shows and commercials. Muzak albums (from when Muzak was synonymous with elevator music). TV and movie soundtracks galore. All for a dollar or less. And just about all of them in very good condition or better. I bet if I got them all at record stores, I couldn't pay less than $10 for any one of those types of records. And if I happened to be looking for them, I'd likely have to wait a good long time before my record store was able to find them.
Don't get me wrong: record stores provide a great service to those who need them. My collecting style dictates that while a record store is nice for me to have, I don't exactly need one.
So if you were out yesterday, enjoy that copy of whatever RSD special I saved for you.
INPUT:
Did you celebrate RSD14? Did you sit it out? Which side of the fence are you on?
Friday, April 4, 2014
The Fools Of April #2: Short Cuts
I know those last couple of songs were a little rough. So I'm gonna go easy on you this time. Three mercifully quick ones..."edited to fit this screen and run in the time allotted," as they say on TV.
"There's a girl right next to you, and she's just waiting for something to do." But she won't be waiting long...because there's at least a verse and a half missing from this song!
Hey...what is this? No, really. What IS this? It might be half a song by Free. Just long enough to feature a moment of self-discovery not in the original version of the song.
I beg your pardon...I never promised you this Lynn Anderson song. So you'll have to hear some other lady sing it instead.
"There's a girl right next to you, and she's just waiting for something to do." But she won't be waiting long...because there's at least a verse and a half missing from this song!
Hey...what is this? No, really. What IS this? It might be half a song by Free. Just long enough to feature a moment of self-discovery not in the original version of the song.
I beg your pardon...I never promised you this Lynn Anderson song. So you'll have to hear some other lady sing it instead.
Wednesday, April 2, 2014
The Fools Of April
What's worse: the ides of March...or the fools of April? Come back to this blog often enough and I bet you'll say it's the latter. There's a whole slew of bad, weird and otherwise unusual music waiting to knock you silly this month. And the first of it is right here in this post. I'd preface this but it would ruin the surprise. And boy will you be surprised.
Yep...that's the uneasiest rider ever. Somehow the song takes on a whole new meaning when that guy does it. It's from one of the many soundalike albums from QMO Sales, a prime perpetrator of those "as-seen-on-TV" records. Not as well known as K-Tel, Ronco or Adam-7, QMO certainly was prolific. Groups like Northern Lights and The Sound Effects (heard here) got together and did an album of the day's hits every season or so. When they weren't screwing around with inflection, they were messing up words...or just singing along to the song they were covering. On some songs they managed to do both. Listen all the way through, if you can stand to:
Just so you know, there's more - a LOT more - where these came from. They may not all be quite like this...but they're gonna be here sooner or later.
Yep...that's the uneasiest rider ever. Somehow the song takes on a whole new meaning when that guy does it. It's from one of the many soundalike albums from QMO Sales, a prime perpetrator of those "as-seen-on-TV" records. Not as well known as K-Tel, Ronco or Adam-7, QMO certainly was prolific. Groups like Northern Lights and The Sound Effects (heard here) got together and did an album of the day's hits every season or so. When they weren't screwing around with inflection, they were messing up words...or just singing along to the song they were covering. On some songs they managed to do both. Listen all the way through, if you can stand to:
Just so you know, there's more - a LOT more - where these came from. They may not all be quite like this...but they're gonna be here sooner or later.
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